The Transparent Eye: A Filmmaker's JournalThe Transparent Eye: A Filmmaker's Journalhttp://www.over-soul.com/journal/2010-03-09T21:24:54ZSquarespaceMask (7)http://www.over-soul.com/journal/2010/3/9/mask-7.htmlbrian scofield2010-03-09T21:23:37Z2010-03-09T21:23:37Z

]]>Cinefun (cont)http://www.over-soul.com/journal/2010/3/7/cinefun-cont.htmlbrian scofield2010-03-07T22:53:45Z2010-03-07T22:53:45Z

]]>Mask (6)http://www.over-soul.com/journal/2010/3/7/mask-6.htmlbrian scofield2010-03-07T20:58:38Z2010-03-07T20:58:38ZProbably my favorite of the series...

]]>Mask (5)http://www.over-soul.com/journal/2010/3/6/mask-5.htmlbrian scofield2010-03-07T07:25:26Z2010-03-07T07:25:26Z

]]>March 6, 2010http://www.over-soul.com/journal/2010/3/6/march-6-2010.htmlbrian scofield2010-03-07T07:23:53Z2010-03-07T07:23:53ZA long day of editing.  Things coming along.  Worked on new character intros and changing scenes that were previously narrated into more verite styled scenes.  Amazing how malleable footage is.

]]>Mask (4)http://www.over-soul.com/journal/2010/3/5/mask-4.htmlbrian scofield2010-03-05T23:02:59Z2010-03-05T23:02:59Z

]]>Cinefunhttp://www.over-soul.com/journal/2010/3/5/cinefun.htmlbrian scofield2010-03-05T22:52:31Z2010-03-05T22:52:31ZShot a lovely scene in a cinematography class with the lovely Caitlin Wehrle (of Backroads fame) as my actress / model.  Some real stills in the future, here are a few snapshots from the set.


]]>Mask (3)http://www.over-soul.com/journal/2010/3/4/mask-3.htmlbrian scofield2010-03-04T19:54:32Z2010-03-04T19:54:32Z

 

]]>Mask (2)http://www.over-soul.com/journal/2010/3/4/mask-2.htmlbrian scofield2010-03-04T19:52:48Z2010-03-04T19:52:48Z

]]>Head On (music video)http://www.over-soul.com/journal/2010/3/2/head-on-music-video.htmlbrian scofield2010-03-02T22:15:34Z2010-03-02T22:15:34ZI recently edited a music video for good friend and colleague Michael Koerbel. It was part of a project commissioned by Steven Spielberg to create a series of videos based on this unique song. Mike did a great job of combining nifty special effects with a genuine feeling of childlike wonder. My challenge as an editor was a tight deadline (less than 24 hours) and editing the entire film without being able to see any of the animations (which were added after picture lock). I'm proud of the work, especially the sense of connection between the characters.

Check it out!

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